Simply says tale. The secret of focus with rubber bands is disclosed in this video.

Do you believe in magic? Even if it is not so, there are a couple of simple tricks, with which you can make others believe that you are a real wizard! To successfully perform magic tricks, certain skills are required, but if you train, you can arrange a real show!

Steps

Part 1

Put a show

Keep confident when performing focus. People will rather believe a person who keeps confidently than someone who is not confident, especially when it comes to magic. Even if you do not have the most interesting trick, a little confidence never hurts.

• Good magicians fascinates. We just need a small dexterity of the hands and the spent technique to deceive the audience. If you smile and hypnotize them with your presence, they will follow your hands less.

1. Start with simple focus. First learn how to perform simple magic tricks, and then work out more complex. Here are a couple of simple focuss:

   • Implementation of magical focus using hand aginity.
   • Ponding the rod is a simple and banal focus that will make your friends laugh and hide.
   • The fourth disappearance is one of the basic magic foci, and one of those that should be able to perform every beginner illusionist.

2. Involve the audience. If you pay attention to the audience - they will be glad to any focus. They will begin to worry about what to say instead of thinking about what you say and do. Classic fraud. Here are a couple of tips to start:

   • Always try to read the thoughts of the audience.
   • Engage in the trick of his friend, making it easy, like a feather - will be fun.
   • Cold reading will force the audience to believe that you are a magician.

3. Use props. Do not be afraid to use the tools - the worse, the better. Spectators should sit on the edges of the chairs. The props will help you arrange a real representation and distract viewers. All this is done in order to distract their attention from what you do. Try:

   • Make a box with magic instruments.
   • Bend spoon.
   • Connect two paper clips so that they do not come into contact.
   • Make a magic wand like Harry Potter.

4. Use your body. A good magician is always completely immersed in his work during the presentation. Do not be afraid to risk! Saching your hand, you can perform really stunning physical tricks:

   • Exemption from the strait shirt - this will force the audience to drag their breath.
   • Levitation will also surprise and shallow spectators.

5. Remember that people come to the magic show to be amazed. Do not be afraid to use sudden flashes or artificial fog.

   • Let the smoke goes through your fingers.
   • Fire in hand is a magnificent special effect that will make your audience shudder.
   • Light a candle, not hurt wick - externally it will seem that you made it a magical way.

   Part 2

   Run a simple card focus

   To perform the trick, take several cards in your hand. You will need to turn away from the audience for a second to turn the trick. Take the deck of cards and drag them in such a way that the tambourine ace is lying on top of the deck - about the fifth in the bill in the deck. Take 8 or 9 cards.

   • SUPPLY A tambourous ace under the second card so that it is not visible. Maps must be located on the same line, otherwise the trick fails.
   • Turn over the worm ace upside down and take the cards in two hands in such a way that they formed a sort of chicond card. Map in the middle (worm ace) should now replace the tambourous ace.
6. • Or you can tell them something else. Take focus as convenient for you. If you say that turn these cards to the rabbit - act. By the end of the focus they will understand why you said it.

7. Ask a volunteer from the hall to inspect your hands. Ask him to make sure what cards you have. If you performed the focus correctly, the cards will be on top of the bubne ace. Then ask a volunteer to return to your place.

8. Ask someone to "remember the card." This is part of your "reading thoughts" and, again, you need to perform another focus. Ask a volunteer to think longer so you can penetrate his thoughts.

   • If you decide to complicate the task, ask him to try to remember several cards from your deck. You can see which cards he conceived (which is very impressive); While he remembers, you can also direct your strength to another line - for example, turning into a rabbit and so on.

9. Holding a card in your hands, pretend that you are confused. Examine the cards in your hands, as if you "think about what dignity of the card" and tell me that something went wrong. Speaking, it is calmly move the cards so that the worm ace is in sight. It is not necessary to mix the cards too often, otherwise the audience can suspect anything.

   • Ask the audience, whether they remember all the cards in your hands. They will start listed them. When the queue comes to the ace, tell me something like "exactly, that's what I thought about it." Then show the audience another hand with Chervov, and not With a tambourous ace. Wow - He changed?
   • At the same time, make sure that present The Bubnov Ace still lies under the second card in your hand. While he should not see him.

10. Arrange a mini-representation with the "abduction" of the tambourous ace. Which of your viewers tried to lock your trick? Blame someone (of course, in a friendly form) in the stealing card and demand it to return. When a person responds that nothing has nothing to do, tell me that they will return it anyway. Through of magic.

    • At this stage, the trick is important to behave confidently and with humor. The larger than your performance, during which you will distract the attention of the public from cards, the more successful you perform your trick. Spectators want to have fun, and do not expect a real magic from you.

11. As if on the moon of "magic sticks", take the tambourine ace in the hand. It all depends on you here. You can sing over maps, make the audience to dance fat or just knock on the deck a couple of times so that the map turns out to be top. Tell the audience that you control the cards, and they will make everything you say.

    • Then, after you have done everything you need in order to "pull out" card, turn it over. You can also ask to make it a skeptical viewer. Ta daa-m ... there ... there ... it's a pity that now you do not have enough strength to turn cards into a rabbit. Well, nothing, some other time.

    Part 3.

    Run focus with coin

    1. Take a coin by explaining the audience that you are going to grasp it into your skin. You have a low iron content in the blood and your doctor said it is a good idea. Spectators do not believe you? Just look.

       • It is best to perform this focus, sitting at the table, where no one will hurt you. And the audiences should take the opposite. If they are sitting with you, they may notice that the whole thing in the agility of the hands.

    2. Substitute one hand under the chin, and keep the second at the ready to label the coin into my elbow. It does not matter in which hand you will keep a coin. Put the second elbow on the table, squeezing in Kulak And substituting her under the chin.

       • To successfully perform the focus, it is important to sit down this way. Soon you will understand why.

    3. Start rubbing and "by chance" drop the coin. Start rubing the coin into the elbow, which lies on the table. Lock, rub, rub. Then, Oops! When everyone was already fascinated by the process, the coin falls on the table. Nothing terrible - keep rubbing.

       • At this stage, try to behave as natural as possible. If you fake, people will understand that so conceived. They should think that this is a real oversight.

    4. Put the coin to another hand. When you take a coin, you have two options:

       • Take a coin with two hands as if you shift it into your main hand. In fact, you skillfully hide it into hand, supporting the chin.
       • Take a coin with the main hand, and then imperceptibly transfer it under the table in the hand, which is kept under it. Then raise your hand to shifting the coin into another hand.

    5. Continue to "rub". Continue to perform a focus, rubbing a non-existent coin into your elbow. Lock, rub, rub. Oh, you feel like she disappears! Still a couple of movements. Still a little bit ... Ta daa-m! The coin is pasted to you under the skin. Now you better. And where is the coin? You have already said these to the audience - they want to know the answer, but the coin is no longer returned. Hee hee.

       • Can you return the coin? Hmm Well, perhaps. You are terribly tired, rubbing it under the skin. Magic so exhausts - the audience simply do not understand this.

    6. Remove the disappeared coin! At a convenient case, you can execute the second part of the focus (or stop on it - to solve you). Tell the viewers that after all the torment you did not manage to launch the coin in the elbow. Put the coin between the fingers is not the main hand. Then select one of the audience and get the coin from the hair, from the collar of the shirt or from the ear. Perhaps he also has supernatural abilities?

       • When you ask you how you did it, do not say! Otherwise you will no longer be able to show them this focus (and maybe their friends). Good magician never Not sharing its secrets.

To make the bird disappear, get a bottle of wine from "air" and even increase the nominal banknote for it a couple of trifles. Lipetsky Illusionist Max Bereznynev for almost ten years helps people believe in magic.

Put aspeed with cards

Ekaterina Kryshkina, "AiF-Chernozemie": Max, how did you do focus?

Max Bereznev: The focus of focus happened completely spontaneously. It all started with the fact that in childhood the godfather gave me a set for a magician. After having studied all the tricks, I did not miss the case show my acquired skill to friends, relatives and all those who came to us guests. But as always happens, with age, interests change, and I threw the tricks. Switched from "Magic" to sports, dancing. And only at a more conscious age returned to his children's hobby.

What prompted?

Return occurred in 2008 due to the roller, which was then walked on the Internet. His hero was the fake hero David Blaine. He pester to passersby and showed street magic. Its popularity has just bash. But it was still a parody of the Great Master. And then I found a present video with David Blaine, who later became my idol and accepted, albeit indirectly, but still participation in becoming me like a magician. Initially, the simplest focus of the house, which were filmed and laid out on Youtube. Then I already went to the streets and showed focuses in the example of David Blaine. Trained for friends, because much did not work. When some trick succeed, I could already safely afford to show it to an unfamiliar public and mastered the skill further. It happened that I didn't leave the house for all day and learned new tricks. I even fell asleep with the maps, before bedtime, developing the motorial fingers so that the movements were as easy and fast. After all, the focus execution itself is much more important than his secret. Knowing the secret, but not possessing sufficient dexterity, you just do not work out. Wanted by the focus of the viewer - it costs a lot.

Manual birds and Italian cabinet

What details are in your arsenal?

There are a lot of details. I call the requisites even birds with which I often speak. Of course, cards. Although this is one of the tools that I now use the least in public. Spectators relate to them extremely incredulously. People have already developed a stereotype that maps initially carry some kind of deception in themselves, and relate to them with some kind of caution. Well, in general, absolutely everything is suitable for focus: ropes, scarves, books, cigarettes. In my speeches, I always try to make a diverse program with all kinds of details, so I don't have to miss the viewer. I love to show tricks with money. For example, take a bill from a person and increase its denomination.

You mentioned birds now ...

Yes, I have a room with their disappearance. I work with Egyptian gorns. They are a priori are manual, so I only have to teach them to yourself, and then have some technical moments with them, whether disappearance or appearance.

There were such cases when the bird did not want to disappear?

In this issue, I use a special props in which they disappear, but it is a little undershot. Therefore, there was a couple of times that the bird fell, say, not there, where you need in this details, and the viewer could see some part of it.

There was no desire to use not birds, but let's say someone more bubbles, for example, a person?

The fact is that this focus is needed an illusion apparatus that is worthwhile money. It is necessary not only to make a qualitative props, one hundred percent performing its function, but it should also be appropriately decorated, for example, under the ancient Italian cabinet. Do not put on the stage the device from rudely choped boards. On the stage of the artist, everything should not only work clearly, but also be beautifully decorated. This is a whole performance that needs to be worked out from a choreographic point of view. I can show such a focus, but I will say right away that he will not pay off. Therefore, it is still necessary to work only with what can be immersed in the car.

"His" Copperfields "in our country is enough"

Children and adults react differently to your magic?

I will say right away, with adults to work much easier than with children. It is necessary to find an approach to young spectators, they must be interested, since each age has its own characteristics. For example, visual tricks are very important for children at the age of 5-6: the disappearance of objects, color change and so on. In short, all that can be understood by eyes. With older children, who is already actively "sits" on gadgets, much more difficult. They perceive tricks with distrust. But if the child is not spoiled by computer games, then he still has an interest in something magical. As for adults, they are much easier to find a common language. They already have other priorities and values. I do not need to show how the handkerchief disappears to interest them. It is enough to "increase" the zoliki on bills or materialize a bottle of wine, and the audience appears a real excitement.

Who are your idols?

As such, I do not have any idols. There are simply artists of this genre that I like. One of them is a wonderful Moscow magician Denis Vlasov, whom I studied at one time. The main thing is to be yourself and do what you like.

Probably, each artist has a desire to make something similar, the present show that will gather the halls. I am friends with a famous magician from Moscow by Sergey Liskov. So we had a large-scale representation in the Moscow region. But it was a hard show. We bought out various kinds of illusion boxes, and we needed to check them in work. Just watching the equipment was not interesting, so we arranged with him a show with their numbers. However, to make such a show that suits David Copperfield, we need considerable funds. And its "copperfields" in our country is enough.

There is such a focus that you can not master, but would love to?

There is a little different desire. I want to make an artist of his parrot Aru Gavryushu. Ara is the second largest parrot, a bird with an incredibly strong intelligence. I have long wanted to insert it into the program, but this parrot does not want to work, and I have to fight with him. For your persistence, I was already repeatedly conceded by my favorite.

You sometimes compare with American illusionist David Blaine, which is engaged in street magic. In particular, due to the fact that you both can read thoughts. Is this also a focus, or do you really have a gift of telepath?

Thoughts, of course, do not read. But there are all kinds of curious moves when you can "pull out" from the person the necessary information. This method is called mental magic. This is a whole science, where you can sign up, faithful, see what he can think about what he can think about. However, sometimes there are some moments that at first you seem mystical. For example, there is a glass, once - and he himself moved. Then you define that the water is spilled on the table, according to which he slipped. So there is nothing supernatural.

Can the most ordinary person become a magician, and how much time will you need to learn this craft?

This can be studied all my life, because the illusionism is undergoing changes every five years, something new appears: technique, tricks that need to be learned. In any case, to become a magician, you need to know the foundations of this art. You can hold the tops from the tops, but do not be in the essence of the craft. In this case, the technical component is important. It is necessary to understand how to behave at the time of the speech, rather than know the secret of some focus. Therefore, everyone can master the focuses, but to become a real artist will need years of training.

Experienced focusful enough hands to demonstrate their skills

Using exclusively sleight of handPerhaps learn to surprise the public, but you need to know everyone's secret, because even very simple in an inexperienced person a trick requires sometimes a considerable skill.

The main quality you should have a good - deft hands. To show the real idea, often do not need anything but skill and dexterity.

It is possible, therefore, there is an incredible set of focus with your fingers, carried out either at all without any items, or with a minimum, consisting of usually from a pair of small simple baubles that are easily fitted in your pocket.

In this and plus such tricks - they do not require the preparation of the site, special devices or conditions. All you need in the literal sense of the word in your hands.

Nuance when demonstrating focus "bare hands"

What ? This is just an integrity, which the viewer does not notice. When you demonstrate the tricks without requisition, the viewer often sees his hands only on the one hand, and the other must be hidden.

Therefore, such ideas are ideal to show them on stage, on holidays in such a way that the "visual hall" was on one side of you.

If you decide demonstrate his art on the street crowd, surrounding you from all sides, "Magic" may not work, and you will be exposed very quickly.

In the crowd surrounding you from all sides there is a danger of exposure

In truth, chips with hands are not so easy to learn . Need a dexterity and speed. But if you do not make mistakes, he will receive a well-deserved admiration for the public. So, we turn to the focus themselves.

Focus with rubber bands

For you, besides your skillful hands, you will need two ordinary elastic gums of the same size.

You put on one gum on a large and index right hand, stretch. The other place between the first and right hand and also put it on the big and index, but already another hand. Also bold to the sides. It turns out a kind of cross.

Show what rubber can not find it If you do not remove them from the hands, convince the public in that, then there is no trick. Someone from the crowd can even touch the items in order not to be doubtful. And then the magician does some quick action And parts of the "cross" disconnect without scolding with the hands, but already separately.

The secret of focus with rubber bands is disclosed in this video:

How did it happen?

1. At the moment when the illusionist shows that the grip is dense, he makes a small movement that no one notices or gives values.
2. Middle it puts on the index (on one hand).
3. After the hand goes down, and the loop imperceptibly passes from one pressed finger to another.
4. A free finger in the meantime, he skips in a loop on a big right hand.
5. And then just release a loop from the middle, and the "cross" decays.
6. For the effect, take russum, holding them next to create the impression of "witchcraft", then dive the hands and enjoy the surprise of the public.

The most important thing - To do everything quickly so that no one notice your fraud. And for this you need clever trained hands.

"Torn finger"

Even the easiest focus can be modified, and he "will play" in a new way

The well-known children's trick, when a thumb breaks away from the palm and remains in the fist, and then "sticks" to the place. Even children know his secret.

But how to make it so that the big, wrapped in index and middle hand, broke away from the palm, "drove" by hand and returned to the palm?

The secret is simple:

• You show that they grab the big left hand, and when you turn it, as if unscrewing, imperceptibly replace it.
• The "torn" large pressed against the palm of the palm of the palm of the palm of the palm of the palm of the palm of the way.
• Then we move the fist along the hand, we return to the place "fasten" and at this time again imperceptibly change your fingers.

Spectators will not suspect anything, if you do everything quickly, neatly and deftly. The faster and more accurate your movements, the better the idea is.

These are the most with your fingers and their secrets. They are beautiful for their visible simplicity, which can only create truly deft handles.

Learn to focus with a torn finger, you can from this video:

Well, when there was a passion, the reason for such a solemn meeting also turned out. They had a winter race on this day there, and we did not think, did not guess, but it came out that the first place was taken.

CHAPTER XXI, in which Admiral Kusaki himself helps Lrangel to get out of a very predicising situation

Three days we stayed at the Yukon, they themselves rested, gave animals to relax. We were given complete freedom as guests, they only took a subscription that we will not leave anywhere from home, and for the loyalty of two detectives they put at the porch. Well, and then we harnessed our nurses and moved on the road. Yukon flew down the arrow, got into the beergov strait and took the course directly to Chukotka. The Island of Laurentia went well, and here it turned out to be a delay. I climbed the storm, hacked the floes, and we were stuck in front of the crack as on the mel.

Broke the ice camp under the torosa. We are waiting when ice will come down. So it would be nothing to hurry to rush to us, and with food safely: on the way we stumbled with pemmican, fish, ice cream with ripples. Well, again, from the cow of milk. In short, they would not die with the hunger, but with a cold tight had to. Sidim, pressed each other, trembling. Especially Fuchs suffered: his beard was grieved, all in Icicles, whines the guy, complains. Scrap also keeps out of the last strength ...

Well, I see, you need to invent something. I sit, we think about the various methods of heating. Firewood, coal, kerosene - this is not suitable for us ... Well, I remembered: somehow I was in the circus, there is one hypnotist with a gaze of the water boiled water.

I think I think so! Wola I have a powerful, iron will. Why not try? Studdered on the ice - not boils, it doesn't even melt ... well, I realized that all this is nonsense, deception, just a circus number. Hand dexterity or, easier to say, focus ... And only this word remembered, a brilliant idea originated in the convolutions of my brain.

I grabbed the ax, chose a suitable block of ice, stated, processed accordingly and return to our camp.

Well, ka, comrades, help me set focus.

Scrap rose, grumbling:

I am surprised at you, Christopher Bonifatyevich: here it is necessary to contact the icicle, and you still have focuss.

Fuchs also pushes:

Poki-Poks! In the Red Sea, I was bought in some panties, and it was hot, and then there were three pairs, I still can't warm. This is the focus so focus!

Well, I shifted on them:

Stop inappropriate conversations! Listen to the team! Raise this ice! Keep it up! Five degrees left. Another left ...

And so, you know, raised the creation of my hands, a huge ice lens, brought the beam of the rays on the ice, looking - it will be, as in radish, only couple whistles. They brought on the kettle - instantly boiled, even the lid soared. This is how and cold overcame. We live. Accept the steel, they burned in such a way that I did not want to leave. Wolf Pemmican feed, cow - hay. Ourselves are also fed, not starving. And here and the ice came up.

We harnessed our trots for the last time and rushed direct course to Petropavlovsk.

Profit, landed. Presented to local authorities. Well, I must say, accepted us great. Here, you know, you watched our newspapers for our campaign, recently worried, and when I told who we, we, as relatives, have been quoted, caught, catering. We have chosen a cow, handed over to the collective farm on the act, the wolfpus guys gave to school for a living corner ... But what to tell ... I would have a little there, so it's not enough.

An introductory expression and members of the sentence 1. An introductory expression. Allocated by punctuation marks, usually commas. For details on punctuation under introductory words, see Appendix 2. (Appendix 2) Hand dexterity or, easier to say, focus ... A. Nekrasov, ... ... Penctuation Dictionary

speaking - See talking; Deapp. As part of the input. Vivid. Expressing, posing, considering that l. like l. The way (as designated by naschaim or nouns) strictly, honestly, frankly. In truth, conscientiously speaking. Easier, simply speaking. ... ... Dictionary of many expressions

simply say - See just; in sn. input. sl. Speaking otherwise, right. It was a draft article, or, easier to say, the first sketches to her ... Dictionary of many expressions

Memory, semantic - Simply put, memory to the meanings. Some theorists consider learning semantic memory equivalent to study long-term memory on the grounds that all long-term, relatively permanent memories are those memories that ... ... Explanatory dictionary of psychology

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Alexey Veselkin Name at birth: Alexey Alekseevich Werekkin Date of birth: November 21, 1961 (1961 11 21) (51 years) Place of birth: Moscow, USSR ... Wikipedia

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